Then, in the early boom years of the digital humanities, we were still trying to figure out how to attribute authorial citations…Read More...
Rhetorics of Whiteness: Postracial Hauntings in Popular Culture, Social Media, and Education (2017)—features the chapter, “Color Deafness: White Writing as Palimpsest for African American in Breaking Bad Screen Captioning and Video Technologies English” coauthored by Nicole E. Snell and yours truly—won the 2018 Conference on College Composition & Communication Outstanding Book Award in the Edited Collection category. This award would not have been possible without the steadfast commitment and encouragement of the collection’s editors: Tammie M. Kennedy, Joyce Irene Middleton, and Krista Ratcliffe.
This Southern Illinois University Press publication is made all the more special by the esteemed list of fellow constributors: Sarah E. Austin, Lee Bebout, Jennifer Beech, Cedric Burrows, Leda Cooks, Sharon Crowley, Anita M. DeRouen, Tim Engles, Christine Farris, Amy Goodburn, M. Shane Grant, Gregory Jay, Ronald A. Kuykendall, Kristi McDuffie, Alice McIntyre, Peter McLaren, Keith D. Miller, Lilia D. Monzó, Casie Moreland, Ersula Ore, Annette Harris Powell, Catherine Prendergast, Meagan Rodgers, Jennifer Seibel Trainor, Victor Villanueva, and Hui Wu.
The award ceremony takes place next week during the CCCC National Convention in Kansas City.
As a black woman I rarely have the privilege of perceiving nakedness and lack of direction as “freeing”—quite the opposite. The point is not to evoke an essentialist stance, but to caution against the potential for a type of solipsism born of white heteronormative neoliberal paradigms. There’s good reason as to why black churchgoing women’s unique testimony involves being “clothed and in our right minds.”
Compelled to respond in the mode of cyberflâneus—as opposed to the flâneur, her masculine counterpart—the creative and critical endeavors I pursue seek and receive pleasure from visual, spatial, and tactile sensations, as the deliberate fashioning of online and real world personas across the darker parts of the rainbow. The constraints of respectability politics, of course, compel the performance of citizenship of the industrious and productive variety—in other words, that of a crafty black woman whose labor constantly threatens cooptation. Dwelling in this space as a woman otherwise, risks the designation of “digital streetwalker.” Feminine bodies, we’re told, must caution against following blind wanderlust, whether virtual or real.
Rhetoric is the battleground of ideas and budding composition teachers should be encouraged to recognize the stakes in such battles. Intradisciplinary contests between cultural studies and technical writing, now being fought over critical approaches to highly politicized issues, are actually a strong sign of the intellectual vitality of rhetoric and composition education. On either end of the spectrum, digital humanities needs to be applied creatively, as foundational to academic inquiry.
I guess this is why I insist on playing with elements of rhetoric to resist, even antagonize, systemic instances of neoliberal misogynoir at times. At the same time I acknowledge my habits/impulses to respond productively in online spaces. A digital libertine, I am not for being rotten with the Protestant work ethic… and so I think of haiku headlines as another digital composing strategy.
Earlier this month, Fayetteville State University’s internet radio station, Bronco iRadio, asked me to come in and talk about cuteness and blackness to help kick off Black History Month. Needless to say, this is my favorite subject and I had plenty to say (even during commercial breaks).
Since it was a live broadcast, a few folks (mostly family, friends, and students) asked if they could listen to the show on their own time, so I thought I’d do one better and post this video of our uncut, on-air conversation. Because we spent so much time discussing rhetoric and its connections to professional writing, we ran out of time before I could draw more connections to civil rights and anti-black racism. So I’ll be sure to post another video podcast dealing more directly with cuteness’ relationship to mass incarceration and racial profiling in the near future.
Leave your comments and share your thoughts.
After all, wasn’t Charles Chesnutt among the first thinkers to articulate a scholarly theory about the literary value of AAVE, even while serving as Chancellor and member of Fayetteville State University’s teaching faculty?Read More...
The FSU Office of Faculty Development (OFD) provides professional development opportunities to enhance educational endeavors at FSU and promote innovative pedagogical and technological practices that meet the needs of the student body. OFD’s vision is to provide an environment for collaboration and interaction among faculty members that lead to improved student learning… and they decided to feature me in a cute little video they made
Whew! Almost done!
My cutting, pasting, and scrolling with Word.doc is a literal tactic for composing with a computer. After stealing whatever time I could throughout this summer for this particular writing project, it took me only 3 hours with paper, scissors, tape, and stapler to assemble my fragmented rants of cut-pasta into something meaningful and cohesive.
You should have seen my living room floor — scraps and scribbles were scattered everywhere. Rudimentary, for sure. Not cute; just cut. I need to hold and manipulate the printed-out letters inside my hand to process my words and lay out my ideas into an actual verbal horizon.
True true. The virtual world is cool and all that, but give me a kinetic activity over staring at a computer screen any old day. Do I feel trepidation about so honestly revealing my writing process? Sure I do. Though if I were truly brave I would post video. (Let’s file that one under “never gonna happen” M’kay? :~)
So many act as though good writing can only occur through some special, innate gift or pretend as though they’re picking up on frequencies from some sort of otherworldly copia. Have I ever experienced the metaphysical phenomenon of feeling as though I was possessed by writing? Yes. I have on occasion. To be honest, I envy those people who have the writing bug and can’t ever seem to quit. For my part, I struggle to make regular blog posts at times!
Writer’s block can set in at any time, but it can be helped. When it comes down to it, the real world requires us to write when sometimes we just don’t have time (or think we don’t have time). It could happen during a period of life when you’re falling in love or maybe you’re dealing with difficulties related to your job and family. And then there are those times when we would all rather be at the beach. The thing about writing is you have to make the time to simply do it in whatever way it wants to be done — with the hopes that you’ve made the right de/cisions for re/visions.