#Ferguson: What’s White and Wrong with Obama’s AmeriKKKa

Though to learn the history of civil rights as told through the lens of our failed education system, you would think all of White America suddenly realized, “Here ya go black, brown, yellow, and red folk… Why don’t you take a little of this extra freedom. We ain’t using it right now and thought you might like to have some…”

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A Canadian’s View On Our Disrespect Of President Obama’s Presidency

I think this reblogged post speaks to the idea of “American Exceptionalism” in regards to its relationship to black people — even among our North American neighbors above the 49th parallel.

 

The Fifth Column

EgbertoWillies.com

America – He’s Your President for Goodness Sake!

By William Thomas

There was a time not so long ago when Americans, regardless of their political stripes, rallied round their president. Once elected, the man who won the White House was no longer viewed as a republican or democrat, but the President of the United States. The oath of office was taken, the wagons were circled around the country’s borders and it was America versus the rest of the world with the president of all the people at the helm.

Suddenly President Barack Obama, with the potential to become an exceptional president has become the glaring exception to that unwritten, patriotic rule.

Four days before President Obama’s inauguration, before he officially took charge of the American government, Rush Limbaugh boasted publicly that he hoped the president would fail. Of course, when the president fails the country flounders. Wishing harm upon…

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Cute No More?

Barack Obama started 2013 off with a new swagger. It began with the Fox News generated “Benghazi-Gate” and all the hullabaloo surrounding the non-nomination of Susan Rice for Secretary of State. From that moment, it seemed like he was down for a brawl with congressional Republicans during the first press conference after his reelection win, saying if the GOP’s leadership didn’t like the ambassador’s handling oobama-shoot_2469253bf things, “… then they’ve got a problem with [him].”

Then there’s the issue of Obama’s continued defiance in the face of House GOP members’ budget demands, which stands in clear contrast to his demeanor after the last fiscal crisis. And now with Obama’s more strident approach to gun control legislation following theNewton school massacre and other shooting incidents, there’s this recent revelation that he’s a skeet-shooting enthusiast…?

Dad jeans notwithstanding, it seems the world’s about to witness a gruffer, rougher, less cute second-term Obama. I also think the POTUS now feels less need to traffic in racial cuteness and is more comfortable moving toward a more formidable leadership image — and this could be a good thing on some level. (Not that I’m thrilled about gun sports or drone attacks or extra-legal assassinations or that sort of thing.)

Galvanizing Cuteness

Facebook MLK gun control meme
Facebook MLK gun control meme

Much has been made about the president publicly shedding tears in response to the latest spate of horrific gun violence, especially since many of the victims were such small children. Because my scholarship deals with the centrality of cuteness in the shaping of public and institutional policies concerning race, I make a critique about visual culture operating at the very nexus of American public race policy. As a critical race theory, the rhetorics of cute have the power to galvanize the public. I believe the persuasive effects of cuteness are deployed for the political contexts of commerce and energize Derrick Bell’s notion of  “racial interest convergence.” Whether framing public debates about Civil Rights legislation through the outrage generated by the church bombing of four little girls, the heinous lynching of Emmett Till, and underlying the logos of Norman Rockwell’s portrayal of Ruby Bridges in “The Problem We All Live,”  cute shapes public policy.

Cute is a longstanding strategy for winning over the dominant interests in public debates and motivates white economic investments to push for substantive political changes. Interestingly enough, the decades-apart public anger precipitated by the killings of Emmett Till and Trayvon Martin was not necessarily amplified by the visuality of cuteness, but was more about the gestures of cuteness as a performative act reflecting childish (and legal) innocence. Till and Martin, after all, were both going about the normal business of adolescence and visiting the candy store. The sheer cuteness of behaving as any child is expected to, at least in the cases of Till and Martin, provides a posthumous racial pass of sorts. Dominant perceptions of African American masculinity in the white public sphere are not so readily second-guessed, especially by the ordinary television media.

 "The Problem We All Live With," Norman Rockwell, 1963. Oil on canvas, 36” x 58”. Illustration for "Look," January 14, 1964. Norman Rockwell Museum Collections. ©NRELC, Niles, IL.
“The Problem We All Live With,” Norman Rockwell, 1963. Oil on canvas, 36” x 58”. Illustration for “Look,” January 14, 1964. Norman Rockwell Museum Collections. ©NRELC, Niles, IL.

Or consider the groundswell of public sentiment in support of stricter gun control laws (as in the case of the Trayvon Martin killing).  And, as alluded to at the beginning of this post, the heartbreak surrounding the tiny victims of the Sandy Hook elementary school is sobering. The media tributes honoring the mostly white classroom of innocent first-graders and educators in the small Connecticut town has been relentless. All this is to say, that I’m just as moved by this recent gun massacre as anyone else and wish that  color were not a part of this discussion. Though unfortunately, the rhetorical power wielded by the ongoing tributes to this group of slain youngsters does speak to dominant sentiments and racial perceptions regarding cuteness.

I’ve even heard some people personally criticize Obama for supposedly not demonstrating enough grief over the epidemic of gun violence prematurely snatching the lives of hundreds of Chicago’s mostly brown and black children. But how would we even know this to be true? It could be that Obama has publicly demonstrated pain over the deaths of this particular group of kids, but it simply eludes coverage. And what about in his private moments with Michelle and his daughters? From all accounts, the loved ones of many of these children were personally known to the first family. Some of the more extreme online memes claim that Obama actually delights in the drone attacks by  Afghan children have been killed as opposed to American kids tragically cut down by gunfire. This latter idea is utterly ridiculous as it commits the logical fallacy of moral equivalency in a most reprehensible fashion. On the other hand, the issue of Chicago gun violence is valid. Not because of Obama’s supposed lack of personal grief, but for how it calls attention to the lopsided racial narratives of commercial “news” coverage.

This racial rhetoric of cuteness continues to operate in surprising ways and draws focus to matters of racial discrimination and privilege. This is why I believe the materiality of cuteness is racially determinative of people’s life chances and helps us better understand the technological and ethical interplay of aesthetic judgements of human worth.