Doodling To Keep From Crying

While Ben Carson rambled about Hillary Clinton being a disciple of Lucifer, I decided to make some digital art that focuses on bridging a progressive Democratic coalition that will defeat Donald Trump in November. I call her Viva Negrita Rosita. It’s a remix from the  NORML Women’s Alliance Foundation web page.

And since weed advocacy isn’t exactly my ministry, I added a top portion to her ‘fro and replaced a #BLM logo instead of the original cannabis leaf… Decriminalization of marijuana will be part of the DNC platform this election cycle. I’m looking forward to seeing how partisan Democrats will present their case next week. Anything has got to be better than this #RNCinCLE sh!tshow.

Whatevs. To each their own. In the meantime, I’m just doing what I can to keep up morale for the cause.

You’re welcome!

si se puede afro chicana rosie

July 19, 2016. Tags: , , , , , , , , , . #BlackLivesMatter, #RNCinCLE, art, beauty, communication, persuasion, politics, teaching, professional writing, conventions, design, digital literacy, drawing, GOP, media, party politics, political campaign, politics, rhetorics, spectacle, TV, visual literacy, visual rhetoric, voting. Leave a comment.

The Battle for Equality Is a WIRED Issue

Serena Williams isn’t just a tennis champion and singularly great athlete; she’s been a leader in the fight for equal representation and pay in her sport.

Source: The Battle for Equality Is a WIRED Issue

October 28, 2015. Tags: , , , , , , , . #BlackLivesMatter, African Americans, athletes, beauty, Blackness, communication, communication, persuasion, politics, teaching, professional writing, computers, cute, cuteness, digital literacy, education, gender, information design, photography, politics, race, rhetorics, Serena Williams, social media, sports, style, technology, visual rhetoric. Leave a comment.

Teddy Bears in Bear Country: Tamir, Trayvon, Eric, Michael, Jonathan, Sam, Nate…

Tamir Rice memorial, playground at Cudell Rec Center, Cleveland

Tamir Rice memorial, playground at Cudell Rec Center, Cleveland

The “teddy bear effect” is something I’ve touched on before in this blog and is now, more than ever, the topic of exigency. The slayings of Trayvon Martin, Eric Garner, Michael Brown, and Tamir Rice, among many others whose names are yet fully known bring to mind the work of one of this year’s MacArthur Genius Award winners: Jennifer Eberhardt’s “Deathworthy” study about how the dark skin and African looking facial characteristics of black defendants are highly correlated to the likelihood of their being sentenced to the death penalty.

The spontaneous memorials, such as the one pictured above, have popped up at sites where police (or wannabe cops) have murdered unarmed, often adolescent black males all speak to teddy bears as a visual and spatial phenomenon of race. Alongside the realities uncovered in the Deathworthy study, is another study by Robert Livingston. Coined the “teddy bear effect,” researchers demonstrated how and why our society can enact the “postracial” iteration of Jim Crow in the form of mass incarceration and all these brutal police killings directly alongside the amazing success of the Barack Obama presidency.

It seems, according to the evidence, that successful African American leadership —beyond impressive credentials, competence, and diligence — is accompanied by certain “disarming mechanisms” such as physical and behavioral traits that attenuate perceptions of black threat held by the dominant culture. It appears that some black men have developed an extraordinary psychological capacity to affect the feelings of comfort engendered by persceptions of cuteness in order to assuage white racial anxieties about black men’s purported criminality. Among these disarming mechanisms is that of “babyfaceness,” which some African American men physically possess (and may intentionally play up) because they realize how whites experience their “cuteness” as helpful in reducing the perception of black aggression. White experiences of fear or intimidation may actually be a cultural form of subconscious projection due to the realistic threat suffered by blacks because whites’ possess such inordinately higher levels of social power vis-à-vis their black counterparts in most cases.

Teddy Bear Effect Benefits Black CEOs (2009 Livingston).

Teddy Bear Effect Benefits Black CEOs (2009 Livingston).

Deathworthiness versus babyfaceness serves as empirical evidence of the quantifiably predictable quality of “cuteness” as a racial construct that too often means life or death for our black brothers, partners, and sons. It’s interesting that both studies, particularly in the case of Livingston, make clever nods towards the heavily anthologized Brent Staples essay, Just Walk on By: Black Men and Public Space,” in which the essayist refers to his habit of coping with whites’ perception of black male threat as a “tension-reducing” tactic meant to assuage white fears and and offer a sense of racial comfort in the public sphere. The kicker comes when Staples admits how “warbling bright, sunny selections from Vivaldi’s Four Seasons is the equivalent of the cowbell that hikers wear when they know they are in bear country” and speaks most eloquently to the strange dilemma of masculine empowerment and racial entrapment experienced by black men when moving through public space.  

Teddy bears in bear country, sadly, is the perfect trope for the beastly outcomes derived from the unchecked racist policies and legal processes of white American culture and jurisprudence.   #BlackLivesMatter

December 19, 2014. Tags: , , , , , , , , , . African Americans, age, art, babies, Babyfaceness, Barack Obama, children, civic culture, Civil Rights Movement, Colors, cute, dolls, family, masculinity, Obama, parenting, politics, psychology, racism, rhetorics, social media, space, space & spatiality, visual literacy, visual rhetoric. 5 comments.

FSU Office of Faculty Development

The FSU Office of Faculty Development (OFD) provides professional development opportunities to enhance educational endeavors at FSU and promote innovative pedagogical and technological practices that meet the needs of the student body. OFD’s vision is to provide an environment for collaboration and interaction among faculty members that lead to improved student learning… and they decided to feature me in a cute little video they made
(^_−)☆*

December 2, 2014. Tags: , , , , , , , . comics, computers, design, digital literacy, higher education, media, rhetorics, social media, technology, visual literacy, visual rhetoric, writing, Writing, YouTube. 2 comments.

Women’s Health: Team Pink v. Team Purple?

I’ve always thought it strange how Breast Cancer Awareness takes place during the same month as Domestic Violence Awareness — both in October, signified by pink and purple ribbons, respectively. Aside from the feminized color palette (pink and purple = “girly” colors), it’s also unfortunate because this timing seems to pit one vitally important women’s health issues against the other. Make no mistake about domestic violence being as much a health issue as breast cancer; up until the Affordable Care Act was passed, both were considered pre-existing conditions for which women were routinely denied health insurance!

IMG_0776-1.JPGIndeed, the concurrent timing of these awareness campaigns almost seems to suggest that no more than one month can be devoted to women’s health at a time. The manner in which we talk about cancer and abuse differ considerably. Breast cancer’s impact on the women and loved ones of those afflicted by the disease tends to be viewed far more sympathetically than matters affecting women dealing with physical and emotional violence at the hands of their romantic partners. Women who’ve overcome cancer are rightfully called “survivors,” whereas women who have triumphed over the tolls of physical and emotional battery are more often than not referred to as mere “victims,” at best. Worse yet, society often holds domestic abuse survivors in disdain and personally blames them for their situations. In terms of which of these two awareness campaigns receives the most media attention and fundraising dollars, unfortunately, it’s pretty clear: boobies trump bruises every time.

These are among just a few of the reasons why I decided to take up the cause of domestic violence by spearheading and organizing the English Matters Colloquium (EMC) Town Square this evening. Finally, after months of planning, the EMC Town Square culminates our months-long cell phone donation drive in partnership with the Fayetteville alumni and Fayetteville State University’s undergraduate chapters of the Kappa Alpha Psi fraternity in hosting a forum with local area activists and experts in the area of domestic violence.

I’m especially delighted because this is the largest community outreach event the FSU Department of English has ever sponsored. For me, it’s important that humanities departments assume a leadership role in shaping conversations of this magnitude and scope. I think it’s crucial that cultural studies help society rethink the discourses of domestic abuse in terms of the way the media singles out communities of color. It’s valuable work for English departments to help in removing the shame and stigma associated with domestic violence.

Because of the particular circumstances faced by our campus community, topics we’ll be discussing include:

* issues in HBCU and African American contexts
* military families and wartime environments
* cyberstalking and computer safety
* gender stereotypes (e.g., same/opposite sex couples)
* support and understanding for victims (not judgment)
* local advocacy programs and intervention opportunities

And, since it’s homecoming week, we’re looking forward to a major turnout tonight too.

#FSUNOHOE

October 30, 2014. Tags: , , , , , , . African Americans, children, colors, education, family, feminism, gender, higher education, media, parenting, politics, rhetorics, sexual politics, time, visual literacy, visual rhetoric. Leave a comment.

Middle Passenger Seating?

What does one do with this kind of ignorance? Sometimes all we have left is poetry.

Robert Hayden, “Middle Passage” from Collected Poems. Copyright © 1962, 1966 by Robert Hayden. Copyright © 1985 by Emma Hayden. Reprinted with the permission of Liveright Publishing Corporation.
Source: Collected Poems (Liveright Publishing Corporation, 1985)

September 17, 2014. African Americans, cartoons, history, politics, race, slavery, visual literacy, visual rhetoric. Leave a comment.

Cute No More?

Barack Obama started 2013 off with a new swagger. It began with the Fox News generated “Benghazi-Gate” and all the hullabaloo surrounding the non-nomination of Susan Rice for Secretary of State. From that moment, it seemed like he was down for a brawl with congressional Republicans during the first press conference after his reelection win, saying if the GOP’s leadership didn’t like the ambassador’s handling oobama-shoot_2469253bf things, “… then they’ve got a problem with [him].”

Then there’s the issue of Obama’s continued defiance in the face of House GOP members’ budget demands, which stands in clear contrast to his demeanor after the last fiscal crisis. And now with Obama’s more strident approach to gun control legislation following theNewton school massacre and other shooting incidents, there’s this recent revelation that he’s a skeet-shooting enthusiast…?

Dad jeans notwithstanding, it seems the world’s about to witness a gruffer, rougher, less cute second-term Obama. I also think the POTUS now feels less need to traffic in racial cuteness and is more comfortable moving toward a more formidable leadership image — and this could be a good thing on some level. (Not that I’m thrilled about gun sports or drone attacks or extra-legal assassinations or that sort of thing.)

April 2, 2013. African Americans, Barack Obama, civic culture, cute, Obama, political campaign, politics, rhetorics, Uncategorized, visual rhetoric. Leave a comment.

Portrait d’une negresse: Artfully Remixed?

benoist-louboutin-obamaThe painting furthest to the left is called Portrait d’une négresse by Marie-Guillemine Benoist. The artist, a daughter born in 1768 to Parisian civil servants in 1768, created this painting in 1800 — only six years after the French ended their part in the African slave trade. Now housed in the Louvre, Portrait d’une négresse has since become a symbol of women’s rights and freedom for black people.

This iconic image has inspired countless imitations. A notable example is the Christian Louboutin 2011 Fall Lookbook based on several classic portraits photographed by Peter Lippmann. More recently there’s been the cover of Magazine Fuera de Serie (a lifestyle supplement to Spanish newspaper, Expansión) featuring a composite image of Benoist’s young slave girl, re-imagined as America’s first lady seated on the stars and stripes.

The reference is easily recognized by anyone who’s even vaguely familiar with the canon of fine art. Unfortunately, given the impoverished state of humanities education in America, the iconic meaning of this image has gone completely missed in the popular blogosphere.

The message, as Benoist originally intended it, represents the black woman as a figure of innocence and mercy. For the Hispanic world, deeply influenced by Catholicism, this representation of Michelle Obama inserts itself within the richly historical iconography of Our Lady of Guadalupe (or the Virgin Mary). The Spanish magazine article speaks of the first lady in glowing terms through the use of descriptive language like “intelligent, strong and classy” in order to convey the idea that Michelle functions as the president’s political backbone and social conscious.

Recent viewings of the magazine’s cover image have been mis-recognized by the American media. This, I think, is related to America’s cultural puritanism, which assigns any display of black female nudity to the field of anthropological curiosity or places it strictly within the domain of the pornographic. This point is aroused (all puns intended) whenever the subject of the black female nude is raised. Most American media outlets have obscured the offending nipple with strategic pixel placement or otherwise subjected the chocolate-colored areola to some other arbitrary redaction method. (Coverage of Mrs. Obama’s breast with a huge red star is among the most curious editorial objects noticed.)

This latest media dust-up reminds me of Janet Jackson’s Superbowl “wardrobe malfunction” controversy and demonstrates, by extension, America’s cultural fascination with the black breast — brown nipples, in particular — and highlights the racist American obsession with the sexual commodification of black women. Clearly, we can look at America’s antebellum exploitative labor practices of “employing” black women as wet-nurses for the children of white slave holders and understand this as a profound historical example. More generally, the cultural denial of breasts’ primary function for purposes of basic nutritional sustenance and the sexual fixation on this particular part of the human anatomy as an erotic object, when juxtaposed with the Eurocentric fixation on the gradient of colors from brown to black as signifying dirt or evil, might explain why this paradox still persists. Reactions to this Michelle Obama composite image easily call to mind a host of racist discourses surrounding black bodily hygiene.

What I find most interesting is related to the dismal state of visual literacy among Americans, which proves that critical approaches to reading images are so badly needed today. Alongside the nipple being perceived as indecent and improper, there is the problem of an overemphasis on appearance and form over contexts and content. (One gets the distinct sense that the same folk who can’t hold it together over a few misplaced commas and semicolons are the same individuals who are losing their minds over the sight of a little brown areola.)

As previously mentioned, so much ado surrounding the Spanish magazine’s supposed bad form has the unfortunate effect of overtaking the particular logos of the article and the collective ethos of Spanish religio-cultural aesthetic sense, in general. Moreover, and most egregiously, it seems to ignore the artistic pathos of Karine Percheron-Daniels who is known for her nude figure celebrity mash-ups. In fact, not only does the online version of the magazine article feature a nude likeness of Michelle Obama, but also featured are those of Princess Diana, Kate Middleton, and (yes!) Barack Obama too — all portrayed as classical nudes in repose.

August 31, 2012. Tags: , , , , , , . African Americans, art, Barack, Barack Obama, beauty, design, Karine Percheron-Daniels, politics, Portrait d’une négresse, rhetorics, sexual politics, sexual politics, visual literacy, visual rhetoric. Leave a comment.

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